Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | December 10

What a new retrospective reveals about Andy Warhol, and about our swerve away from humanism. [BV]

The 1st printing of the Bolted Book sold out so fast that it’s going into a second printing in January 2019. Sign up now to receive a free custom-designed book display stand. [BV]


Observed | December 07

The boozy and violent story behind America‘s Eggnog Riot. [BV]


Observed | December 06

#TBT: Vintage tech: the ballpoint pen. [BV]

#TBT: The beauty of a well-designed knob. [BV]


Observed | December 05

The competitive book sorters who spread knowledge around New York. [BV]

What do Dick Bruna’s covers have to do with Japanese matchboxes? This exhibition finally answers that question. [BV]


Observed | December 04

During World War I, in the ensnarled disputes about wartime deception and the equal rights of women, conspicuous “dazzle-painted” ships were condemned as “painted women.” Social Repercussions of World War I Ship Camouflage. [BV]

Rumsey Taylor, from the New York Times, on All of It from WNYC, about his story “The Mystery Font That Took Over New York.” Joined by Steven Heller about the history of storefront signs in NYC. (17.00 mins or thereabouts) [BV]


Observed | December 03

Mourned by many: Glamour magazine is gone. [BV]

The new font Berthe, from Abyme, is featured in the new online publication of Caractères ordinaires. [BV]


Observed | November 30

Beautifully-designed Bauhaus books and journals by Gropius, Klee, Kandinsky, Moholy-Nagy and more, now available for free download. [MB]


Observed | November 29

We live at the end of an era characterized by relentless anxiety around the self as a product: what it means, who owns it, what it costs, what it’s worth. [BV]

Three innovations that started out as inclusive design solutions. [BV]


Observed | November 28

A new model for social design? The NYC Democratic Socialists of America offers an interesting example for systematizing volunteer political design work. [BV]


Observed | November 27

Likely the United States’ first woman employee, Mary Katharine Goddard signed the Declaration of Independence and was a key figure in promoting the ideas that fomented the Revolution. [BV]

Fighting an outlaw biker gang by...seizing the rights to its logo? [MB]


Observed | November 26

A working guide to the repair of rust, dust, cracks, and corrupted code in our cities, our homes, and our social relations. [BV]

In this age of data and its manipulation, it’s important to remember algorithms are opinions, not truth machines, and demand the application of ethics. Don’t believe us? Watch this short animated video. [BV]


Observed | November 23

With 26 million TONS of plastic ending up in the ocean every year, we’re thankful for entrepreneurs like this who can turn a plastic bottle into a fashion statement. [BV]

Ever wondered where Hogwarts is located? Or the Castle of Aaagggghhhh? Check out Fake Britain: a map of fictional locations in England, Scotland and Wales. (via Blake Eskin) [BV]


Observed | November 21

Glenn Gould’s heavily marked-up score for the Goldberg variations surfaces, letting us look inside his creative process. [BV]

A visual indulgence: Brassaï, the outsider who photographed Paris after dark. [BV]


Observed | November 20

Prolific title designer Pablo Ferro is recognized for introducing narrative and nonlinear dimensions to films spanning from Dr. Strangelove to Men in Black. Ferro passed on Saturday. His legacy lives on. [BV]

Because bullshit is almost everywhere, we assume we know how to recognize it and thus what it is. Subjectivity and its discontents. [BV]


Observed | November 19

Super recognizers: the people who never forget a face. (via Blake Eskin) [BV]

Amazon’s “stealth brands” are represented by $299 crowdsourced logos. (via James I. Bowie) [BV]


Observed | November 15

Juan Ángel Cotta’s work, especially a collection of hardback books he illustrated in 1960, is one of the missing links between South American publishing and the European modernist traditions. —Steven Heller. [BV]

Need some inspiration? 25 reasons to keep on making stuff “in this time of rampant assholery.” [BV]


Observed | November 13

Are we confusing readability with literary value? The case for difficult books. [BV]



Jobs | December 11