Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | February 21

Science answers the age old question: Why does a grape turns into a fireball in a microwave? [BV]


Observed | February 20

The Sunset Strip occupies a short stretch of Sunset Boulevard, but its reputation as a stomping ground of gangsters, glamour girls, rock stars and hell-raisers has held an oversized fascination for decades. Curbed LA dives deep. Part One. Part Two. [BV]

Should historic logos be protected in the same way as historic buildings? (via James I. Bowie) [BV]


Observed | February 19

My new favourite part of Twitter is Josh Lipnik’s tours of the modern architecture of the US midwest. Here he looks at the modern architecture of Columbus, Ohio—houses, schools, churches, banks, and even a cool Space Age horse racing track. [MB]

The authoritative, totally not subjective, incontrovertibly definitive and 100% correct L.A. Times Fast Food French Fry Rankings. [BV]


Observed | February 14

Welcome to 2019. If you value your privacy, don’t get your Valentine an internet-connected sex toy. [BV]


Observed | February 13

Places Journal’s ongoing series “Future Archive” republishes significant 20th-century texts introduced by a prominent scholar. This installment features J.B. Jackson’s 1976 essay on the American garage from Landscape. [BV]

Can multigenerational home-sharing solve LA’s affordability crisis? Alissa Walker explores what it might mean to age in place in LA. [BV]


Observed | February 12

Cubicles are back, and we have open plan offices to thank. [BV]

As emoji become more detailed in their design, they become less useful for communication. (via James I. Bowie) [BV]


Observed | February 11

#Longread: The Five Families of Feces—the porta-potty business is as dirty as you’d think. [BV]

The world’s watersheds, mapped in gorgeous detail by Hungarian cartographer Robert Szucs. [BV]

Photography writes with light, but not everything wants to be seen. [JH]


Observed | February 07

Are we heading towards extreme overpopulation or a decline in humans? Questioning the UN population model. [BV]


Observed | February 06

What if everything you knew about the history of pizza in America was false? [BV]

A special class of vivid, textural words defy linguistic theory: could ‘ideophones’ unlock the secrets of humans’ first utterances? [BV]

Social media has spawned a generation of un-Strunk-and-White-ified people who appear to believe that punctuation is optional, that grammar is for the elderly, and that ending a sentence with a period is a deliberate act of aggression. The guardian of grammar, Benjamin Dreyer, wants that to change. [BV]


Observed | February 05

Innovative interaction design helps Chinese families stay emotionally connected through the Chinese New Year while being geographically scattered. [BV]


Observed | February 04

Was architecture better under socialism? [BV]

Ganbreeder is an experiment using breeding and sharing to explore complex visual spaces. Or, Ganbreeder is a crazy app where you can merge things like a parakeet with a bubble. 17024009+ images and counting. [BV]


Observed | January 31

Saturday Night Live’s cue cards are still created by hand. And they pay attention to whitespace to make sure the cards are readable from a distance! [BV]

In 2014, microbiologists began a 500-year-long science experiment assuming that science—or some version of it—will still exist in 2514. [BV]


Observed | January 30

The World’s Writing Systems allows you to interact with the 292 currently-known writing systems as they are encoded in the Unicode standard. [BV]

A growing crowd-sourced gallery of crazy mass transit fabric patterns. [BV]


Observed | January 29

For six amazing years—from 2006 to 2012—I led the design advisory group on the Citizen‘s Stamp Advisory Committee, with a terrific group of people from all across the country. What a delight to talk about it! [JH]

The 52-year history of the Yale Building project: pushing architecture students out of their studios and into communities they can positively affect. (Support The Yale Herald‘s Kickstarter!) [BV]

Emily Gosling on the magical, imperfect grids of Anni Albers. [MB]


Observed | January 28

The Letterform Archive opened it’s doors in 2015. In 2019 they are opening their virtual doors to a curated collection of over 50,000 items related to lettering, typography, calligraphy, and graphic design, spanning thousands of years of history. [BV]

How does one judge the historic 50 Books | 50 Covers competition? Our jury chair, and Design Observer co-founder, Jessica Helfand talks to The Monocle Weekly. [BV]


Observed | January 24

A talk with Olivier Kugler about his most recent book, “Escaping Wars and Waves: Encounters With Syrian Refugees”: a first hand record of the tragic souls who have been forced to leave their homeland and the disappointments, frustrations, and deprivations they’ve experienced as they attempt to make new lives. [BV]



Jobs | February 22