Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | April 19

Spam musubi (a Hawaiian snack of canned meat served on rice and wrapped in nori) and other unintended consequences of cultural exchange. [BV]

Despite their seeming environmental unfriendliness, logos with factories and smokestacks have made a comeback in the US. [BV]


Observed | April 18

Post Typography created an unconventional participatory campaign to support the Baltimore Museum of Art‘s conversation series on art, race, social justice, and imagining the future(s) we want. [BV]

Where do you stand on the “Pedestrian Aggressiveness Syndrome Scale”? Why your brain hates slowpokes. [BV]


Observed | April 17

An in-depth look at how the Second World War warped the way United States mapped the world. [BV]


Observed | April 16

Joshua Dudley Greer logged 100,000 miles between 2011 and 2017, a period defined by the financial crisis and election, documenting what he saw along the U.S. Interstate Highway System. [BV]

Pete Buttigieg may be the first candidate to anticipate (and provide for!) graphic design considerations. [JH]


Observed | April 11

The toxic disinformation of social media has rendered traditional forms of humor—like satire—quaint and futile. [BV]

In a study of 26,000 people from over 100 countries, dark blue is the world’s most relaxing color, orange is the happiest, and pink is the sexiest. [BV]


Observed | April 10

Ever wondered what a black hole looks like? Scientists reveal the first picture of a black hole. [BV]

Business Insider wrote about a Twitter thread where the Vignelli Center, Michael Bierut, Jesse Reed, and Alexandra Lange chatted about the difficulty of identifying Helvetica. [BV]


Observed | April 09

Nikil Saval in The New Yorker on how “good design” failed us. (via James I. Bowie) [BV]


Observed | April 05

Some Friday fun: “A log flume winds its way around a watery course and slowly climbs the lift hill. Reaching the top, it then hurtles down the slope...Splash!” But what if no one is riding? [BV]

The quest to acquire the oldest, most expensive book on the planet: unwrapping the most beautiful Gutenberg of them all. [BV]


Observed | April 04

“All submission to authority humiliates. All exercise of authority perverts.” Roger Perry‘s photos of London graffiti in a time of recession, poor housing, and urban decay. [BV]

Patagonia will no longer emblazon its products with other companies’ logos unless they commit to using their profits for the greater good. (via James I. Bowie) [BV]


Observed | April 03

Lydian was created by designer and children’s book illustrator Warren Chappell in 1938, but didn’t really find its groove until after World War II when it was the font for Nancy Drew. [BV]

“When I visited for lunch, a few days ago, I found a tawny sea of tight jawlines and Goyard totes, women with blowouts as pristine as their natty Gucci loafers.” A delicious review by Helen Rosner of “the one place in Hudson Yards that feels like New York”. [MB]


Observed | April 02

The MITX DesignTech Summit is coming up next Wednesday, April 10th at the Innovation & Design Building in Boston. Join leaders from JPMorgan Chase, Automattic, Fidelity, athenahealth, Walmart & others as they discuss the business of design. (Check our twitter feed for a discount code.) [BV]

The New Yorker asked five designers, Na Kim, Alex Merto, Paul Sahre, Janet Hansen, and our very own Michael Bierut, to imagine a cover for the Mueller report when it‘s released as a book. [BV]


Observed | April 01

A young paleontologist may have discovered a record of the most significant event in the history of life on Earth: the day the dinosaurs died. [BV]

As we begin to judge the current 50 Covers entries, this collection of 100 brilliant rejected book covers caught our attention. [BV]


Observed | March 28

Hilma af Klint is celebrated as an inventor of abstract art. But she didn’t think of her work as abstract. [BV]


Observed | March 27

A new video about IDEO from Dress Code features over 30+ interviews and is a look behind the curtain at the global design firm, who for 40 years (and counting) has changed the way we think about design. [BV]


Observed | March 26

A stock photo library< created in response to much needed imagery to accompany stories about trans and non-binary people. [BV]


Observed | March 25

John Maeda’s newest design in tech report focuses less on proving design’s value and more on how design’s “seat at the table” has left designers wedged between corporate cultures, ever-changing skill sets, and constant self-reinvention. [BV]


Observed | March 20

From Tristram Shandy to black holes, from Coco Chanel to Johnny Cash, from Francisco Goya to Mark Rothko: Ten ways to look at the color black. [BV]

With storage spaces filled with works that may never be shown, some museums are rethinking the way they collect art, and at least one is ranking what it owns. [BV]


Observed | March 19

In response to last week’s Christcurch mosque shootings, Meena Kadri teamed up with her former Māori language teacher Te Ataahia Castorina to compile a set of Māori words + English translations celebrating unity. If you learn and share 10 Māori words this week, make it these. [BV]


Observed | March 18

Journey back to a time when serifs were Antique, sans serifs were Grotesque, and extra bold faces were Fat. [BV]



Jobs | April 21