Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | February 21

Science answers the age old question: Why does a grape turns into a fireball in a microwave? [BV]


Observed | February 20

The Sunset Strip occupies a short stretch of Sunset Boulevard, but its reputation as a stomping ground of gangsters, glamour girls, rock stars and hell-raisers has held an oversized fascination for decades. Curbed LA dives deep. Part One. Part Two. [BV]

Should historic logos be protected in the same way as historic buildings? (via James I. Bowie) [BV]


Observed | February 19

My new favourite part of Twitter is Josh Lipnik’s tours of the modern architecture of the US midwest. Here he looks at the modern architecture of Columbus, Ohio—houses, schools, churches, banks, and even a cool Space Age horse racing track. [MB]

The authoritative, totally not subjective, incontrovertibly definitive and 100% correct L.A. Times Fast Food French Fry Rankings. [BV]


Observed | February 14

Welcome to 2019. If you value your privacy, don’t get your Valentine an internet-connected sex toy. [BV]


Observed | February 13

Places Journal’s ongoing series “Future Archive” republishes significant 20th-century texts introduced by a prominent scholar. This installment features J.B. Jackson’s 1976 essay on the American garage from Landscape. [BV]

Can multigenerational home-sharing solve LA’s affordability crisis? Alissa Walker explores what it might mean to age in place in LA. [BV]


Observed | February 12

Cubicles are back, and we have open plan offices to thank. [BV]

As emoji become more detailed in their design, they become less useful for communication. (via James I. Bowie) [BV]


Observed | February 11

#Longread: The Five Families of Feces—the porta-potty business is as dirty as you’d think. [BV]

The world’s watersheds, mapped in gorgeous detail by Hungarian cartographer Robert Szucs. [BV]

Photography writes with light, but not everything wants to be seen. [JH]


Observed | February 07

Are we heading towards extreme overpopulation or a decline in humans? Questioning the UN population model. [BV]


Observed | February 06

What if everything you knew about the history of pizza in America was false? [BV]

A special class of vivid, textural words defy linguistic theory: could ‘ideophones’ unlock the secrets of humans’ first utterances? [BV]

Social media has spawned a generation of un-Strunk-and-White-ified people who appear to believe that punctuation is optional, that grammar is for the elderly, and that ending a sentence with a period is a deliberate act of aggression. The guardian of grammar, Benjamin Dreyer, wants that to change. [BV]


Observed | February 05

Innovative interaction design helps Chinese families stay emotionally connected through the Chinese New Year while being geographically scattered. [BV]


Observed | February 04

Was architecture better under socialism? [BV]

Ganbreeder is an experiment using breeding and sharing to explore complex visual spaces. Or, Ganbreeder is a crazy app where you can merge things like a parakeet with a bubble. 17024009+ images and counting. [BV]


Observed | January 31

Saturday Night Live’s cue cards are still created by hand. And they pay attention to whitespace to make sure the cards are readable from a distance! [BV]

In 2014, microbiologists began a 500-year-long science experiment assuming that science—or some version of it—will still exist in 2514. [BV]


Observed | January 30

The World’s Writing Systems allows you to interact with the 292 currently-known writing systems as they are encoded in the Unicode standard. [BV]

A growing crowd-sourced gallery of crazy mass transit fabric patterns. [BV]


Observed | January 29

For six amazing years—from 2006 to 2012—I led the design advisory group on the Citizen‘s Stamp Advisory Committee, with a terrific group of people from all across the country. What a delight to talk about it! [JH]

The 52-year history of the Yale Building project: pushing architecture students out of their studios and into communities they can positively affect. (Support The Yale Herald‘s Kickstarter!) [BV]

Emily Gosling on the magical, imperfect grids of Anni Albers. [MB]


Observed | January 28

The Letterform Archive opened it’s doors in 2015. In 2019 they are opening their virtual doors to a curated collection of over 50,000 items related to lettering, typography, calligraphy, and graphic design, spanning thousands of years of history. [BV]

How does one judge the historic 50 Books | 50 Covers competition? Our jury chair, and Design Observer co-founder, Jessica Helfand talks to The Monocle Weekly. [BV]


Observed | January 24

A talk with Olivier Kugler about his most recent book, “Escaping Wars and Waves: Encounters With Syrian Refugees”: a first hand record of the tragic souls who have been forced to leave their homeland and the disappointments, frustrations, and deprivations they’ve experienced as they attempt to make new lives. [BV]



Jobs | February 22