User Agreement

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Digital Millennium Copyright Act

It is the policy of Observer to respond to notices of alleged copyright infringement, in compliance with the Digital Millennium Copyright Act (“DMCA”) and other applicable laws. Our response to these notices may include removing or disabling access to material claimed to be the subject of infringing activity and/or terminating contributors. If we remove or disable access in response to such a notice, we will make a good-faith attempt to contact the submitter of the affected material or post, so that they may make a counter notification. We may also document notices of alleged infringement on which we act. Your complaint will also be a matter of record.

If you are a copyright owner or agent thereof and believe that any content appearing on the Design Observer Group Sites infringes upon your copyright, please submit notice, pursuant to the DMCA (17 U.S.C. § 512(c)) to our Copyright Agent with the following information: (i) an electronic or physical signature of the person authorized to act on behalf of the owner of the copyright; (ii) a description of the copyrighted work that you claim has been infringed; (iii) the URL of the location containing the material that you claim is infringing; (iv) your address, telephone number, and email address; (v) a statement by you that you have a good faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law; (vi) a statement by you, made under penalty of perjury, that the above information in your notice is accurate and that you are the copyright owner or authorized to act on the copyright owner's behalf.

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Please be advised that you may be liable for damages if you materially misrepresent that a post or activity is infringing your copyrights.

Counter-Notification

In some instances a contributor who has submitted or posted materials identified as infringing may supply a counter-notification pursuant to sections 512(g)(2) and (3) of the DCMA. When we receive a counter-notification, we may reinstate the posts or material in question.

To file a counter-notification with us, a contributor must provide a written communication (by fax or regular mail or by email) that sets forth all of the items required by the DMCA. Please note that you will be liable for damages if you materially misrepresent that content or an activity is not infringing the copyrights of others. If you are not sure whether certain material infringes the copyrights of others, we suggest that you first contact an attorney. A sample counter-notification may be composed using the PDF forms at www.ChillingEffects.org

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Links, Frames and Metatags

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Comments

We invite your questions, or comments about Observer or any of the issues addressed on the Design Observer Group Sites. You may send letters to Observer at P.O. Box 159, Falls Village, CT 06031, Attn: Letters to the Editor, or via email at hello [at] designobserver.com. By sending a letter to the Editor, you grant Observer a nonexclusive, royalty-free license to reproduce and distribute the letter, in whole or in part, for any purpose, in any media, whether now known or later created. Hard copies will not be returned to you.

Observer takes no responsibility for the comments posted on the Design Observer Group Site. Observer encourages comments to be short and to the point, and to be courteous to others in any exchange of comments. Observer discourages comments that are off-topic, unnecessarily antagonistic or defamatory, or in violation of other’s intellectual property rights. Observer reserves the right to edit or delete comments that do not adhere to these standards.

Advice and Opinions

The Design Observer Group Sites contains facts, views, opinions, and statements of third parties, users, and other organizations (“Third-Party Material”). Observer, its parents, affiliates, and subsidiaries (“Observer Parties”) do not make any representations concerning the accuracy or reliability of any Third-Party Material displayed on or distributed through the Design Observer Group Sites. You acknowledge that you rely upon any Third-Party Material at your own risk and you agree that the Observer Parties will not be held responsible or liable, directly or indirectly, for any loss or damage caused or alleged to have been caused in any way whatsoever related to any Third-Party Material displayed on or distributed through the Design Observer Group Sites.

Third-Party Links

The Design Observer Group Sites contain links to other sites and resources on the Internet controlled by third parties. These links are provided solely as a convenience to our users and do not constitute an endorsement by Observer. Any concerns regarding another website should be directed to the site’s administrator. Observer reserves the right, in its sole discretion, to terminate links with any third parties or other websites that it deems inappropriate or inconsistent with the Design Observer Group Sites. Observer makes no representations about the content, functionality, or practices of these third-party sites and resources, and disclaim any and all warranties, express or implied, related to these third-party sites and resources.

Disclaimers

THE DESIGN OBSERVER GROUP SITES ARE AVAILABLE “AS IS.” TO THE MAXIMUM EXTENT PERMITTED UNDER LAW, WE DISCLAIM ALL EXPRESS OR IMPLIED WARRANTIES WITH RESPECT TO THE DESIGN OBSERVER GROUP SITES OR ANY INFORMATION, GOODS, OR SERVICES THAT ARE AVAILABLE THROUGH THE DESIGN OBSERVER GROUP SITES, INCLUDING WITHOUT LIMITATION ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE (EVEN IF THE PURPOSE WAS DISCLOSED).

WE DO NOT WARRANT THAT THE DESIGN OBSERVER GROUP SITES WILL BE UNINTERRUPTED OR ERROR-FREE. WE DO NOT MAKE ANY REPRESENTATIONS REGARDING THE ACCURACY OR COMPLETENESS OF ANY STATEMENT OR INFORMATION DISPLAYED, DISTRIBUTED, OR MADE AVAILABLE ON OR THROUGH THE DESIGN OBSERVER GROUP SITES OR AVAILABLE THROUGH LINKS ON THE DESIGN OBSERVER GROUP SITES. WE RESERVE THE RIGHT TO CORRECT ANY ERRORS OR OMISSIONS IN THE DESIGN OBSERVER GROUP SITES. IF YOU RELY ON OUR SITE OR OBTAIN ANY MATERIALS OR GOODS AVAILABLE THROUGH IT, YOU DO SO SOLELY AT YOUR OWN RISK.

ALTHOUGH WE INTEND TO TAKE REASONABLE STEPS TO PREVENT THE INTRODUCTION OF VIRUSES, WORMS, “TROJAN HORSES” OR OTHER DESTRUCTIVE MATERIALS TO THE DESIGN OBSERVER GROUP SITES, WE DO NOT GUARANTEE OR WARRANT THAT OUR SITE OR MATERIALS THAT MAY BE DOWNLOADED FROM IT ARE FREE FROM SUCH DESTRUCTIVE FEATURES. WE ARE NOT LIABLE FOR ANY DAMAGES OR HARM ATTRIBUTABLE TO SUCH FEATURES.

Limitation of Liability

WE ARE NOT LIABLE FOR ANY CLAIM, LOSS OR INJURY BASED ON ERRORS, OMISSIONS, INTERRUPTIONS OR OTHER INACCURACIES IN OUR SITE, INCLUDING ANY CLAIM, LOSS OR INJURY THAT RESULTS FROM YOUR BREACH OF ANY PROVISION IN THIS USER AGREEMENT. WE ARE NOT LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL, SPECIAL, PUNITIVE OR EXEMPLARY DAMAGES (INCLUDING LOST REVENUES OR PROFITS, LOSS OF BUSINESS, OR LOSS OF DATA) ARISING OUT OF OR IN CONNECTION WITH THE DESIGN OBSERVER GROUP SITES, ITS SERVICES, OR THIS AGREEMENT, REGARDLESS OF WHETHER SUCH LIABILITY IS BASED IN TORT, CONTRACT, OR OTHERWISE.

SOME STATES DO NOT ALLOW THE LIMITATION OF LIABILITY FOR THESE KINDS OF DAMAGES, SO THESE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU.

Termination

We reserve the right to terminate any services offered through the Design Observer Group Sites or to terminate the Design Observer Group Sites and this User Agreement at any time without notice, for any reason, including, in the case of the User Agreement, because of your violation of any of these provisions. The Copyright Disclaimers, Limitation of Liability and Governing Law Sections of this User Agreement survive any termination.

Governing Law

This Agreement is governed by and any disputes relating to this User Agreement should be decided under the laws of the State of Connecticut applicable to contracts made and completely performed there.

Severability

If any provision of this Agreement is deemed unlawful, void, or for any reason unenforceable, then that provision is considered severed and will not affect the validity and enforceability of any remaining provisions.


Observed | June 25

Jessica Helfand gave a poster design workshop to scientists at Yale a few years ago and was told by one that if he followed her advice, nobody would take him seriously as a scientist. Behold: the future! A graphic design revolution for scientific conference posters. [BV]

The new ghost museums of China. (via James I. Bowie) [BV]


Observed | June 20

Poster House, the first museum in the US dedicated exclusively to posters, opens today! Listen here to their first audio newsletter and guide narrated by Steven Heller. [BV]


Observed | June 19

Remembering the Bantam paperback of The Greening of America with its truly relentless deployment of Bookman Swash Italic. Quintessential 70s. RIP Charles Reich, 1928-2019. [MB]

Here’s your chance to hear Debbie Millman on the other side of the mike. Recorded live on stage at the famous Design and Advertising festival in London in May, Debbie is interviewed on episode 14 of This Way Up. [BV]


Observed | June 17

The School of Visual Arts has donated nearly 100 of its beloved Subway Series posters from the past three decades to the brand new Poster Museum, opening Thursday, June 20. These, as well as all new posters created in the future, will live in the Museum’s permanent archival collection. [BV]

Can a small Italian village point the way to more livable modern cities? A conference of urbanists aims to find out. [BV]


Observed | June 14

The late William Helfand had an incredible collection of medical prints, posters, and advertising emphasized "quack" pills, potions, and snake oil cure-alls. Hear his daughter, and our co-founder Jessica Helfand pay tribute to his "quackery” obsession. [BV]


Observed | June 11

“Beer cans are officially the new record sleeve.” The rise in craft brewing has spurred a beer aisle design renaissance. [BV]


Observed | June 10

Seeking 1000 people who eat. ZOE‘s experts are marrying nutritional science with machine learning to perform the world‘s largest study of individuals‘ unique nutritional responses. Visit joinzoe.com to sign up. Read this NYTimes article to see why. [BV]

A new exhibit at the Saint Louis Art Museum celebrates amateur photography from 1890–1970 through the recent gift of 150 amateur photographs from St. Louis collectors John and Teenuh Foster. John Foster assembled this collection of anonymous found images over the past 20 years, some of which can be seen in his Design Observer column. [BV]


Observed | June 06

An in-depth look at an urban mall designed to revive downtown San Diego that is set to be destroyed, from Alissa Walker. [BV]


Observed | June 05

Congratulations to Susan Kare, Patricia Moore, MIT D-Lab, Tom Phifer, Tobias Frere-Jones, Tobias Frere-Jones, Derek Lam, Ivan Poupyrev, Open Style Lab and all the winners of the 2019 Cooper Hewitt National Design Awards! [BV]


Observed | June 03

The first in a series of articles about the early days of the space age, in celebration of this summer’s 50th anniversary of the first Moon landing:
How NASA selected the first astronauts (and why no convicts have walked on the Moon). [BV]


Observed | May 30

Felice Frankel has donated hundreds of images taken during her early career as a landscape architecture photographer—Louis Kahn’s Salk Institute, Maya Lin’s Vietnam Veterans’ Memorial, Richard Haag’s Bloedel Reserve, and Dan Kiley’s Miller Garden—to MIT libraries to create a learning resource. [BV]

As a kid, I had no idea that Peter Max was so derivative (Heinz Edelmann, Andy Warhol, Push Pin). I just knew his work was everywhere, and he got to sign it. To me he was the most famous artist in the world. That makes this story so depressing. [MB]


Observed | May 29

London Street Photographer Nick Turpin highlights five photographers making candid public photographs on the fringes of street photography. [BV]


Observed | May 28

An essay from Rob Walker on the tension inherent in what we do with the time we have, and how we try to make more. [BV]

NBA players are no longer waiting for shoe companies to give them personal logos — they are creating their own. (via James I. Bowie) [BV]


Observed | May 24

Congratulations to Michael Bierut + Jessica Helfand! The Observatory made dezeen’s list of 14 of the best architecture and design podcasts to subscribe to. [BV]


Observed | May 23

From Atlas Obscura: 18 of the world’s most wondrous public transportation options. [BV]

Iceland’s environmental ministry says Justin and his Belibers have nearly ruined Fjadrárgljúfur canyon. But even for the non-famous, selfies are ruining national parks and the great outdoors around the world. Go outside but leave your phones at home. [BV]


Observed | May 22

How do you create a logo for a presidential candidate? On this week‘s The West Wing Weekly: West Wing & fonts. The guests are our co-founder Michael Bierut, who designed Hillary Clinton‘s 2016 logo, and Leslie Wah, who made the campaign logos in Season 6 of the West Wing. [BV]


Observed | May 21

Wanna play with some Brutalist buildings? Skyline chess has a new offering of London’s most-notable architecture from the Brutalist movement including the Trellick Tower, Petty France, Centrepoint and Cromwell Tower. [BV]

Design Observer co-founder @jessicahelfand is heading to Malta this week as an external critic working with Professor Vince Briffa, recipient of the Tribute to Art and Innovation award at this year’s Venice Biennale. [BV]


Observed | May 20

Book lovers will want to pay close attention to a new collaboration between Designers & Books and Peter Kraus’s Ursus Books & Gallery in New York. This installment: A Flowering of Creativity: Ladislav Sutnar and F. T. Marinetti. [BV]


Observed | May 15

We can‘t wait to explore Boston this fall when we host The Design of Business | The Business of Design conference at MIT. Bike-commuting, T-riding, and monorail-tweeting around Boston with transit-oriented 20-something NUMTOT founder Juliet Eldred. [BV]


Observed | May 14

What year is it? Why does it matter? While chronology and dating might not be exciting, they are the stuff that history is made on, for dates do two things: they allow things to happen only once, and they insist on the ordering and interrelation of all happenings. [BV]

“We should not be excessively interested in books”, wrote Roy Gold, biblio-graffiti outsider artist, and a bookish man. [BV]


Observed | May 13

You may not love sports, but it’s hard not to enjoy sports photography, especially for it’s innovativeness. Case in point: Sports Illustrated photographer Neil Leifer hit a grand slam when he set out to capture a double play on film. [BV]



Jobs | June 25